Franz Gertsch (b. 1930), Natascha IV, 1988, engraving on wood, print in green on Kumohadamashi Japanese paper by Heizaburo Iwano, 232.5 x 182 cm, Musée Jenisch Vevey – cantonal prints collection, deposited by a private individual © Franz Gertsch. Photo Dominique Uldry
Franz Gertsch (*1930), Pestwurz (Detail 1), 1994, gravure sur bois sur japon, 106 x 135 cm, Musée Jenisch Vevey, Collection d’art Nestlé
27 October 2017 to 4 February 2018
In the mid-1980s, Franz Gerstch (b. 1930) invented a wood engraving technique that resembles a “dotted print” method used in the late 15th century. The astonishing woodcuts by the painter and engraver from Bern, often in very large format, resemble photographs at first glance, their subtle contours and nuances bathed in the warmth of a “monochrome” colour. Drawing on its own holdings and loans from elsewhere, the exhibition by the cantonal prints collection at the Musée Jenisch Vevey retraces thirty years of creativity that combine monumental faces with images of nature. In his portraits, which can almost be read as landscapes, views of undergrowth, water and plants that are as precise as they are meditative, Franz Gertsch constantly transposes the beauty of the world into the inexhaustible space of art.
The exhibition is curated by Rainer Michael Mason, an art historian who has long been interested in the work of Franz Gertsch.